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Mardi 15 septembre 2009 | Leeds (Royaume-Uni)
Publié le mardi 02 juin 2009 par Marie Pellen
A conference co-organised by the Popular Cultures Research Network (University of Leeds) and the Centre de Recherches sur les Littératures Populaires et les Cultures Médiatiques (University of Limoges), 14-16 April 2010
Story-telling is a basic human function. By telling stories we make sense of our own lives, of our society and of history. We live in time, our lives circumscribed by an inevitable end or dénouement, yet also woven into the lives of others, or into innumerable sub- or parallel plots. Yet plotting – the skilful structuring of event into story - has generally been considered, in Peter Brooks’ words: ‘the element of narrative that least sets off and designs high art’. Meanwhile, popular fictions are acknowledged to owe their success to the craft of story-telling, of compelling the reader to turn the pages. This compulsion was defined by Barthes as ‘le plaisir’ (instant gratification), in contrast to ‘la jouissance’ (intellectual fulfilment) that awaited those prepared to engage with the properly literary text. However, in recognition of the enduring appeal of the popular forms of the novel, researchers have recently begun to challenge the barthesian view by presenting the story rather than the text as the key locus of the reading experience. This repositioning of the story has allowed not only for the re-evaluation of the relationship between ‘high’ and low’ forms of fiction, but also for the exploration of the interface between production and reception and of the numerous extensions and diversifications of the literary into the cinematic and other fields.
Adopting an interdisciplinary approach, with contributions welcomed from scholars working (for example) in the fields of literature, sociology of culture, cultural studies, text/image, psychology, philosophy - this conference will explore the relationship between storytelling, reading and pleasure, within popular French/francophone and English/anglophone literature and associated cultural forms. The definition of ‘popular’ remains open and debatable: some highly ‘literary’ texts have also achieved massive popularity with readers.
Both theoretical papers and ‘case-studies’ are welcome.
The conference will be held at the University of Leeds UK, 14-16 April 2010, and will include the AGM of the international research network Coordination Internationale des Chercheurs en Littératures Populaires et Culture Médiatique.
Languages of communication: English and French.
Keynote speakers will include the novelist and essayist NANCY HUSTON.
The focus of the conference will be on francophone and anglophone literatures and related forms (e.g. film and other adaptations) from the mid-nineteenth century to the present, and on the theoretical questions defined above.
LEEDS PCRN
Artiaga, Loïc (dir.). Le Roman populaire (1836-1960). Des premiers feuilletons aux adaptations télévisuelles (Paris: Autrement, 2008)
Baroni, Raphael. La Tension narrative. Suspense, curiosité, surprise (Paris: Seuil, 2007)
Barthes, Roland. Le Plaisir du texte (Paris: Seuil, 1973)
Bleton, Paul. Ca se lit comme un roman policier: comprendre la lecture sérielle (Québec: Nota Bene, 1999)
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative (Oxford: Clarendon, 1984)
Constans, Ellen. Parlez-moi d’amour : le roman sentimental des romans grecs aux collections de l’an 2000 (Limoges: PULIM, 1999)
Couégnas, Daniel. Introduction à la paralittérature (Paris: Seuil, 1992)
Durand, Pascal et Lits, Marc (dir.), Hermès n° 42, « Peuple, populaire, populisme » (CNRS Editions, 2005)
Grivel, Charles. Production de l’intérêt romanesque (Paris, La Haye: Mouton, 1973)
Hoggart, Richard. The Uses of Literacy (London: Chatto and Windus, 1957)
Huston, Nancy. Professeurs de désespoir (Actes Sud/Lemeac, 2004)
- Lignes de faille (Actes Sud 2006)/ Fault Lines (Atlantic Books 2008)
- L’Espèce fabulatrice (Actes Sud/Lemeac, 2008)
Le Bris, Michel, Rouaud, Jean et collectif. Pour une littérature-monde (Paris: Gallimard, 2007)
McCracken, Scott. Pulp. Reading Popular Fiction (Manchester: Manchester University Press, 1998)
Migozzi, Jacques. Boulevards du populaire (PULIM, Mediatextes, 2005)
Picard, Michel (dir.). Comment la littérature agit-elle ? (Paris: Klincksieck, 1994)
Ricoeur, Paul. Temps et récit, 3. Le temps raconté (Paris: Seuil, 1985)
Ryan, Marie-Laure. Narrative as Virtual Reality. Immersion and Interactivity in Literature and Electronic Media (Baltimore & London: The Johns Hopkins University Press, 2001)
Salmon, Christian: Storytelling : La machine à fabriquer des histoires et à formater les esprits (Paris: La Découverte, 2008)
Thiesse, Anne-Marie, Le Roman du quotidien : lectures et lecteurs populaires à la Belle Epoque (Paris: Le Chemin vert, 1984)
Vareille, Jean-Claude, Le Roman populaire français, 1789-1914 : idéologies et pratiques (Limoges: PULIM, Québec: Nuit Blanche éditeur, 1994).
« Finding the Plot », Appel à contribution, Calenda, publié le mardi 02 juin 2009, http://calenda.revues.org/nouvelle12827.html